PREFACE |
xiii |
INTRODUCTION |
1 |
“PIRACY” |
15 |
| |
CHAPTER ONE: Creators |
21 |
| |
CHAPTER TWO: “Mere Copyists” |
31 |
| |
CHAPTER THREE: Catalogs |
48 |
| |
CHAPTER FOUR: “Pirates” |
53 |
| |
|
Film |
53 |
| |
|
Recorded Music |
55 |
| |
|
Radio |
58 |
| |
|
Cable TV |
59 |
| |
CHAPTER FIVE: “Piracy” |
62 |
| |
|
Piracy I |
63 |
| |
|
Piracy II |
66 |
“PROPERTY” |
81 |
| |
CHAPTER SIX: Founders |
85 |
| |
CHAPTER SEVEN: Recorders |
95 |
| |
CHAPTER EIGHT: Transformers |
100 |
| |
CHAPTER NINE: Collectors |
108 |
| |
CHAPTER TEN: “Property” |
116 |
| |
|
Why Hollywood Is Right |
124 |
| |
|
Beginnings |
130 |
| |
|
Law: Duration |
133 |
| |
|
Law: Scope |
136 |
| |
|
Law and Architecture: Reach |
139 |
| |
|
Architecture and Law: Force |
147 |
| |
|
Market: Concentration |
161 |
| |
|
Together |
168 |
PUZZLES |
175 |
| |
CHAPTER ELEVEN: Chimera |
177 |
| |
CHAPTER TWELVE: Harms |
183 |
| |
|
Constraining Creators |
184 |
| |
|
Constraining Innovators |
188 |
| |
|
Corrupting Citizens |
199 |
BALANCES |
209 |
| |
CHAPTER THIRTEEN: Eldred |
213 |
| |
CHAPTER FOURTEEN: Eldred II |
248 |
CONCLUSION |
257 |
AFTERWORD |
273 |
| |
Us, Now |
276 |
| |
|
Rebuilding Freedoms Previously Presumed: Examples |
277 |
| |
|
Rebuilding Free Culture: One Idea |
282 |
| |
Them, Soon |
287 |
| |
|
1. More Formalities |
287 |
| |
|
|
Registration and Renewal |
289 |
| |
|
|
Marking |
290 |
| |
|
2. Shorter Terms |
292 |
| |
|
3. Free Use Vs. Fair Use |
294 |
| |
|
4. Liberate the Music—Again |
296 |
| |
|
5. Fire Lots of Lawyers |
304 |
NOTES |
307 |
ACKNOWLEDGMENTS |
331 |
INDEX |
333 |
